Blogs

The Article “Sex, soap and society: telenovela noir in Alvaro Uribe’s Colombia” by Nick Morgan is very informative in terms of explaining the rise of telenovelas; in particular narconovelas in the early 2000’s in Colombia. To be honest right off the bat after reading the introduction seeing the word ‘narco’ ingrained in narconovelas it drew […] read full post >>

“This complex situation emphasizes the underlying tension of how devices designed for constant internet connectivity operate in a radically different fashion for those living in Cuba.” This quote from the article is one that stood out to be quite a bit, and I think that’s because soon to a certain level I have always been …

Continue reading "Week 13: La revolucion digital"

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  Mafalda condensed two main themes  generational and gender. In terms of gender, Mafalda presented in style  androgynous apart from traditional gender role physique. She was drawn in a skirt, however her female attire failed to soften her boyish features and personality says Cosse. This character framing of a young girl hadn’t been previously seen […] read full post >>

     From the comic Eternaut by Hector German Oesterheld comes a framed narrative of a man, his friends, and immediate family finding themselves stuck in the middle of an apocalypse. In the mass hysteria of nuclear war, Oesterheld confirms the world's greatest fear, and in doin so, reveals truths in human nature in the face of impossible odds and certain death. 

    Although I enjoy the prologue as it provided context of who the protagonist is (the collective), as it assists the tone of conflict throughout the comic. Instead of solely rooting for the "main character" we understand that in a nuclear fallout the strongest will survive regardless of who the narrative centers around. As the initial narrative of the story suggests, we as the audience know that the main character, the Eternaut has somehow survived, as he has lived to tell his story. The Eternaut's origin story self is in much a stark contrast to the self that sits in front of Oesterheld. He cares deeply for his family and he is often seen in frantic states of attempting to wrap his mind around the situation. Oesterheld emphasizes the ways in which each member attempts to grapple with their dramatically contrasting reality that had so recently been warped. His wife Elena and daughter Martita begin to list the ingredients and spices. Martita mentions that she bets the children down the street are rationing as well. During times of crisis, children are prone to normalize the unnormal, giving an unnerving feeling to adults. Elena, with her few speaking lines, still displays the resilience and aptitude of mothers in times of need, detail oriented and silently strong. His friends, holding onto hope, begin to devise an isolation suit to gather supplies. 

    My question for you is are you more scared or relieved when thinking of the apocalypse? 

 

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     From the comic Eternaut by Hector German Oesterheld comes a framed narrative of a man, his friends, and immediate family finding themselves stuck in the middle of an apocalypse. In the mass hysteria of nuclear war, Oesterheld confirms the world's greatest fear, and in doin so, reveals truths in human nature in the face of impossible odds and certain death. 

    Although I enjoy the prologue as it provided context of who the protagonist is (the collective), as it assists the tone of conflict throughout the comic. Instead of solely rooting for the "main character" we understand that in a nuclear fallout the strongest will survive regardless of who the narrative centers around. As the initial narrative of the story suggests, we as the audience know that the main character, the Eternaut has somehow survived, as he has lived to tell his story. The Eternaut's origin story self is in much a stark contrast to the self that sits in front of Oesterheld. He cares deeply for his family and he is often seen in frantic states of attempting to wrap his mind around the situation. Oesterheld emphasizes the ways in which each member attempts to grapple with their dramatically contrasting reality that had so recently been warped. His wife Elena and daughter Martita begin to list the ingredients and spices. Martita mentions that she bets the children down the street are rationing as well. During times of crisis, children are prone to normalize the unnormal, giving an unnerving feeling to adults. Elena, with her few speaking lines, still displays the resilience and aptitude of mothers in times of need, detail oriented and silently strong. His friends, holding onto hope, begin to devise an isolation suit to gather supplies. 

    My question for you is are you more scared or relieved when thinking of the apocalypse? 

 

read full post >>

     From the comic Eternaut by Hector German Oesterheld comes a framed narrative of a man, his friends, and immediate family finding themselves stuck in the middle of an apocalypse. In the mass hysteria of nuclear war, Oesterheld confirms the world's greatest fear, and in doin so, reveals truths in human nature in the face of impossible odds and certain death. 

    Although I enjoy the prologue as it provided context of who the protagonist is (the collective), as it assists the tone of conflict throughout the comic. Instead of solely rooting for the "main character" we understand that in a nuclear fallout the strongest will survive regardless of who the narrative centers around. As the initial narrative of the story suggests, we as the audience know that the main character, the Eternaut has somehow survived, as he has lived to tell his story. The Eternaut's origin story self is in much a stark contrast to the self that sits in front of Oesterheld. He cares deeply for his family and he is often seen in frantic states of attempting to wrap his mind around the situation. Oesterheld emphasizes the ways in which each member attempts to grapple with their dramatically contrasting reality that had so recently been warped. His wife Elena and daughter Martita begin to list the ingredients and spices. Martita mentions that she bets the children down the street are rationing as well. During times of crisis, children are prone to normalize the unnormal, giving an unnerving feeling to adults. Elena, with her few speaking lines, still displays the resilience and aptitude of mothers in times of need, detail oriented and silently strong. His friends, holding onto hope, begin to devise an isolation suit to gather supplies. 

    My question for you is are you more scared or relieved when thinking of the apocalypse? 

 

read full post >>

Comics: Quino’s Mafalda Comics are considered fun, but also meaningful form of entertainment that share particular messages to people; one of the most interesting parts about Quino’s Mafalda comics were the themes that relate to interactions between family members, teacher … Continue reading → read full post >>

Comics: Quino’s Mafalda Comics are considered fun, but also meaningful form of entertainment that share particular messages to people; one of the most interesting parts about Quino’s Mafalda comics were the themes that relate to interactions between family members, teacher … Continue reading → read full post >>

I found this week’s readings really cool- I enjoyed reading through the Mafalda comic strips, and I found Isabella Cosse’s article engaging, as it took on a perspective I hadn’t yet considered on the social, cultural and political role of comics. I never really read too many comics growing up, and something I have come […] read full post >>

Hector German Oesterfeld and Francisco Solano Lopez’s comic Eternaut had me hooked, especially with its cliff-hanger. Maybe because I am in the international relations program, the micro and macro political aspects portrayed in this comic I thought were very intriguing. At least in what we can generalize as the Global North, the Cold War would… read full post >>